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Hindu scriptures |
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Vedas |
Rigveda · Samaveda Yajurveda · Atharvaveda |
Vedangas |
Shiksha · Chandas Vyakarana · Nirukta Kalpa · Jyotisha |
Upanishads |
Rig vedic Aitareya |
Puranas |
Brahma puranas Brahma · Brahmānda Brahmavaivarta Markandeya · Bhavishya |
Itihasa |
Mahabharata (Bhagavad Gita) |
Other scriptures |
Manu Smriti Artha Shastra · Agama Tantra · Sūtra · Stotra Dharmashastra Divya Prabandha Tevaram Ramcharitmanas Yoga Vasistha |
Scripture classification |
Śruti · Smriti |
Timeline |
Hindu texts |
The Literature regarded as central to the Vedic and Hindu literary tradition was originally predominantly composed in Sanskrit. Indeed, much of the morphology inherent in the learning of Sanskrit is inextricably linked to study of the Vedas and other early texts.
Vedic literature is divided by tradition into two categories: Shruti – that which is heard (traditionally understood as revelation) and Smriti – that which is remembered (stemming from human authors, not revelation). The Vedas constituting the former category are considered sacred texts or scripture by many followers of Hindu religion. The post-Vedic scriptures form the latter category: the various shastras and the itihaasas, or histories in epic Sanskrit verse. Holding an ambiguous position between the Upanishads of the Vedas and the epics, the Bhagavad Gita is considered to be revered scripture by most Hindus today.
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The Vedas form the oldest layer of Sanskrit literature[1] and the oldest sacred texts of Hinduism.[2]
According to the Rigveda itself, the Vedic Mantras were composed by various seers who had 'seen' (dṛś) them in deep concentration (dhī). However, to post-Vedic tradition, the Vedas are apauruṣeya "not human compositions",[3] being supposed to have been directly revealed, and thus are called śruti ("what is heard").[4][5] A number of Vedic mantras are recited as Hindu prayers, at religious functions and other auspicious occasions.
The philosophies and religious sects that developed in the Indian subcontinent have taken various positions on the Vedas. Schools of Indian philosophy which cite the Vedas as their scriptural authority are classified as "orthodox" (āstika). Other Indian philosophies, such as Buddhism, Jainism and materialism, did not accept the authority of the Vedas and the former two evolved into separate religions. In Indian philosophy these groups are referred to as "heterodox" or "non-Vedic" (nāstika) schools.[6]
The central focus of all four Vedas is Vedic sacrifice (yajña), officiated by four main priests, each using materials from one of the four Vedas. Ritual is mediated by the fire-god Agni, through whom can the priests and thus the rest of society gain access to the Devas.
The four Vedas are the Ṛig-, Yajur-, Sāma- and Atharva Vedas. They are transmitted in various shākhās, or branches of knowledge. Depending on the branch, various early different commentaries (Brahmanas)and instructions (Sutras) are associated with each Veda.
Each of the four Veda has traditionally been divided into several sections:
The Brāhmaṇas style texts, commenting on the procedure and purpose of the Saṃhitās, are further divided:
While the Upanishads are part of the "Vedas", their actual importance to Hindu philosophy has exceeded that of Hindu scriptures; indirectly, it resulted in the Bhagavad Gita, which is a self-proclaimed yoga upanishad. As such, they are different from the Samhitas and Brahmanas and are the basis of Vedantic thought.
The Upanishads ("Sittings near, laying siege to [a Teacher]") are part of the Shruti and primarily discuss early philosophy; they also contain accounts of various debates between contemporary priests and sages. There are more than 200 texts counted as Upanishads; however, only 13 are generally accepted as primary.
The Upanishads have been acknowledged by scholars and philosophers from both East and West, from Schrödinger, Thoreau and Emerson and Schopenhauer to Mahatma Gandhi and Aurobindo Ghosh.
Total number of Upanishads almost 1008, from them 108 are main, and from 108, mainly accepted as actual 11. This 11 nos. of Upanashads are main (1) Esha, (2) Ken, (3) Katho, (4) Mundaka, (5) Mandukkya, (6) Taitariya, (7) Oaitariya, (8) Prashna, (9) Shetaswatar, (10) Chandyagya, (11) Brihadaranayaka.
The new texts that appeared afterwards were called Smriti. Smriti literature includes Itihasas (epics like Ramayana, Mahabharata), Harivamsa Puranas, Agamas and Darshanas.
The Dharmashastras (law books), though derivatives of earlier Vedic texts such as the Dharmasutras, are traditionally considered as part of the Smrti. From time to time great law-givers (e.g. Manu, Yajnavalkya and Parashara) emerged, who collected existing customs and laws and to ensure that the then way of life was consistent with both the Vedic spirit and the changing times. However, Dharmashastras have been disregarded by many groups of Hindus, namely those following Vedanta, Bhakti, bhakti and Tantra streams of Hinduism, even if they practically speaking still follow the samskaras from birth to death.
One aspect of the philosophy reflected in the epics is the concept of Avatar (appearance of God on the Earth). The two main avataras of Vishnu that appear in the epics are Rama, the hero of the Ramayana, and Krishna, the protagonist in the Mahabharata. Unlike some of the deities of the Vedic Samhitas and the all-pervading and formless Brahman of the Upanishads, the avataras have more developed personalities, as loving and righteous descents of the Supreme Being among mortals.
Many followers of Hindu religion or Sanatana Dharma opine that the most succinct and powerful abbreviation of the overwhelmingly diverse realm of Vedic thought is to be found in the Bhagavad Gita (also known simply "The Gita"). Essentially, it is a microcosm of Vedanta- Bhakti, Yogic, and Karmic aspects of Sanatan Dharma, or Vedic religion. Bhagavad Gita (literally: Song of the Lord) is a revered part of the epic poems of the Mahabharata, book 6. It speaks not only to Vaishnavas but to all people of all faiths, and it is accepted by the members of most Hindus as a seminal text. The "tag line" of each chapter of the Bhagavad Gita refers to the book as the "Gita Upanishad" and as a "yoga text," as Lord Krishna speaks the truths of yoga and the Upanishads for all.
What holds the devotee's mind foremost is Krishna's repeated injunction to abandon the mortal self to the infinite love of the Lord. He not only speaks to the mind and to the Atman, individual spirit's innate sense of Dharma, but calls for overwhelming love. By loving God one also loves the immortal Self, finds harmony in oneself, and finds oneself at peace with the entire cosmos. The Gita speaks of cultivating the intellect, properly using the body, and always remaining equipoised in relation to the greater Self. The Bhagavad Gita truly presents itself as a liberation text universal in its message. In the Bhagavadgita Krishna stresses "nishkam karma" (means self-less or desire-less action; an action performed without any expectation of fruits or results).
The Puranas are a vast medieval literature of stories and allegory. Eighteen are considered to be Mahapuranas, or Great Puranas, and thus authoritative references on the Gods and Goddesses, religious rites and holy places (most of which are in the Indian subcontinent, known as Bharat).
Eighteen (18)are considered main purans called "Mahapuranas", and another Eighteen (18) are "Upapuranas". That means total number of Puranas in Hindu Literature are 36. Maharapuranas (18) - (1) Brahma (2) Padma (3) Vaishnav (4) Shaiva (5) Bhagvat (6) Naradiya (7) Markendeya (8) Agneya (9) Bhaibishya (10) Brhamabaibarta (11) Linga (12) Baraha (13) Skanda (14) Baman (15) Kourma (16) Matsa (17) Garud (18) Brahmanda
Upapuranas (18) - (1) Aadi (2) Nrisingha (3) Bayu (4) Shiva (5) Dharma (6) Durbasa (7) Narad (8) Nandikeshwar (9) Ushana (10) Kapil (11) Barun (12) Shamba (13) Kalika (14) Maheswar (15) Devi (16) Padma (17) Parasar (18) Marichi
one Upparana also available (19) Bhaskar
Total 37 Hindu Puranas available, 18 Mahapuranas, and 19 Upapuranas
The Tevaram is a body of remarkable hymns exuding Bhakti composed more than 1400–1200 years ago in the classical Tamil language by three Saivite composers. They are credited with igniting the Bhakti movement in the whole of India.
The Nalayira Divya Prabandha (or Nalayira (4000) Divya Prabhamdham) is a divine collection of 4,000 verses (Naalayira in Tamil means 'four thousand') composed before 8th century AD[1], by the 12 Alvars, and was compiled in its present form by Nathamuni during the 9th – 10th centuries. The work is the beginning of the canonization of the twelve Vaishnava poet saints, and these hymns are still sung extensively today. The works were lost before they were collected and organized in the form of an anthology by Nathamunigal. The Prabandha sings the praise of Sriman Narayana (or Vishnu) and his many forms. The Alvars sung these songs at various sacred shrines. These shrines are known as the Divya Desams.
In South India, especially in Tamil Nadu, the Divya Prabhandha is considered as equal to the Vedas, hence the epithet Dravida Veda. In many temples, Srirangam, for example, the chanting of the Divya Prabhandham forms a major part of the daily service. Prominent among the 4,000 verses are the 1,100+ verses known as the Thiru Vaaymozhi, composed by Nammalvar (Kaaril Maaran Sadagopan) of Thiruk Kurugoor.
Other famous texts of Hinduism include those of the bhakti yoga school (loving devotion to God) such as the Ramcharitmanas of Tulsidas (an epic poem based on the Ramayana), the Gita Govinda of Jayadeva (a religious song of the divine love of Krishna and his consort Radha), Adi Shankara's commentaries and other works, Ramanujacharya's nine books including "Sri Bhasya", Madhvacharya's commentaries and the Devi Mahatmya (the tales of Devi, the mother goddess, in her many forms as Shakti, Durga, Parvati, etc.).
knol by Munindra Misra